Discours critique sur les œuvres de littérature contemporaine
Ci-dessous, les différences entre deux révisions de la page.
Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédente | ||
oeuvres:petits_traites [2016/04/15 16:20] – Audrey Thériault | oeuvres:petits_traites [2018/06/09 14:31] (Version actuelle) – [Documentation critique] Laurianne Thibeault | ||
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+ | ARFAOUI, Saïda, « Penser l’amitié avec Pascal Quignard. De //Petits traités// à //Leçons de solfège et de piano// », //Studi Francesi//, vol. 61, no 181 (2017), p. 40-48. +++ Article de revue | ||
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+ | ###« Since //Petits traités//, there has been an evolution in Quignard’s thought about friendship, which moved from a memory-based to an ontology-based approach. Initially, the concept of virtus plays a significant role in shifting the focus from pathos to ethos in his vision of the friendly link. Through this Roman concept, friendship is, for Quignard, closely related to the original dash of the jadis rather than to the individual memory. Through the etymological relation between philia and physis, friendship reconnects with a pre-Socratic physis that hosts the harmony of the opposites. Unbound by the linear human time, it is also withdrawn from the system of symbolic exchanges so much so that friends, according to the author of Leçons de solfège et de piano, «partag[ent] la position sujet en amont du dialogue». However, the anchoring of friendship in the alogos push of physis leads to an ontological denial and returns back to an otherness, so difficult to conceive that we run up against the question of death while raising that of friendship. That’s why it is more appropriate to include the thought of friendship in the movement of the “search”. Indeed, being held prior to various theorizations, | ||
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+ | BLANCKEMAN, Bruno, « La folle étude », //Studi Francesi//, vol. 61, no 181 (2017), p. 33-39. +++ Article de revue | ||
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+ | ###« Quignard’s //Petits traités// is a work of and about studies. It is closely linked with the cultural field through what it has to say about literary studies, through the way it defines them with its own specific approach, on the margins of official practices. It is also closely linked with the question of learning, of training, of exercising language, and therefore of thinking, or at least of a certain, speculative, | ||
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+ | BLANCKEMAN, Bruno, « La tentation du défaut (sur quelques récits d’enfance) », dans Anne Chevalier et Carole Dornier (dir.), //Le Récit d’enfance et ses modèles. Colloque de Cerisy-la-Salle (27 septembre au 1er octobre 2001)//, Caen, Presses universitaires de Caen, 2003, p. 271-279. +++ Chapitre de collectif | ||
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+ | DE HERDT, Irina, « Le rôle du “kairos” dans les //Petits traités// de Pascal Quignard », // | ||
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+ | DEMANZE, Laurent, « L’encyclopédisme inactuel de Pascal Quignard. Lecture renaissante des //Petits traités// », //Studi Francesi//, vol. 61, no 181 (2017), p. 68-76. +++ Article de revue | ||
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+ | ###« Pascal Quignard develops his work against the totalizing ambition of encyclopaedism, | ||
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+ | GENETTI S., « Sifiloglogia di Pascal Quignard. Una lettura del //Petit Traité// su Girolamo Fracastoro », //Rivista di Letterature Moderne e Comparate//, | ||
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+ | GORRIS CAMOS, Rosanna, « La passion pour Guy Le Fèvre de La Boderie et la flamme sombre du “Zohar” », //Studi Francesi//, vol. 61, no 181 (2017), p. 77-91. +++ Article de revue | ||
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+ | ###« Set against the background of the frequent references to the French and Italian Renaissance scattered in Petits traités – particularly in tome VI – and spanning from Marot to Scève, from Du Bellay to Montaigne, from Ariosto to Strozzi, this close reading of the text concerning the Norman kabalist erudite and poet Guy Le Fèvre de La Boderie (1541-1598) illustrates many recurrent and intertwining themes and images. The sea or riverside (bridges, vessels and shipwrecks), | ||
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+ | LAPEYRE, Chantal, « //Petits traités// du ravissement. Lire Pascal Quignard avec Marguerite Duras », //Studi Francesi//, vol. 61, no 181 (2017), p. 49-57. +++ Article de revue | ||
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+ | ###« “Ravishing” occurs fairly rarely in Pascal Quignard’s work, but the phenomenon and its related mechanisms are at the heart of the thinking and logic underpinning the //Petits traités//. These “treatises” describe ravishing by language, by the body, by Otherness, but also, more strangely, by reading or writing. They contrast these violent experiences of destitution with sudden absences from the self, sudden dispossession, | ||
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+ | MARCOIN, Francis, « Le lecteur comme copiste et naufragé. Une lecture presque romanesque des //Petits traités// », //Studi Francesi//, vol. 61, no 181 (2017), p. 92-98. +++ Article de revue | ||
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+ | ###« The reader of Pascal Quignard’s work is, we might say, robbed of the faculty of interpretation and reduced to the state of copyist, which is in fact the state that Pascal Quignard also attributes to the author, since it goes hand in hand with a certain desire for all-inclusiveness. This encyclopaedic aspect is boundless and embarks the reader on a sort of odyssey which leads to another figure the writer also associates with the reader, that of the shipwreck victim. Therefore, the act of reading is not related to the notions of invention or originality, | ||
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+ | PAUTROT, Jean-Louis, « //Petits traités//, thésaurus d’une œuvre », //Studi Francesi//, vol. 61, no 181 (2017), p.14-23. +++ Article de revue | ||
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+ | ###« I propose that //Petits traités// be considered the thesaurus of Pascal Quignard’s œuvre, in which the main elements of his style combine into a first original and recognizable expression: a fragmentary form, the appearance of a lexicon that will become inseparable from his works, the affirmation of a theory of literature as rooted in ancient, animal gestures, the intrication of the speculative and the narrative, the exploration of literary and cultural memory, the preoccupation with origins. I show that Petits traités resonates with just about every book that follows, and I argue that the memory thus activated functions in a musical manner in the author and in the reader. » (Résumé joint à l’article) | ||
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+ | RABATÉ, Dominique, « Réflexion et aveuglement dans les //Petits traités// », //Studi Francesi//, vol. 61, no 181 (2017), p. 24-32. +++ Article de revue | ||
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+ | ###« Written in the late 70s, published in 1990, the //Petits traités// invent a new form. They are the peculiar solution that Quignard invents to break out from oral speech and philosophy, to assert the paradoxical muteness of literature. He claims to be a «misologue», | ||
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FARASSE, Gérard, «17 juillet », dans Philippe BONNEFIS et Dolorès LYOTARD (dir.), //Pascal Quignard, figures d'un lettré//, Paris, Galilée, 2005, p. 445-453. +++ Chapitre de collectif | FARASSE, Gérard, «17 juillet », dans Philippe BONNEFIS et Dolorès LYOTARD (dir.), //Pascal Quignard, figures d'un lettré//, Paris, Galilée, 2005, p. 445-453. +++ Chapitre de collectif |