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oeuvres:abbes [2016/05/03 18:44]
Virginie Savard
oeuvres:abbes [2017/11/10 02:42]
Virginie Savard Modified from the form at oeuvres:abbes
Ligne 20: Ligne 20:
 ADLER, Aurélie, « Le récit en archipel : //Abbés// », dans Laurent DEMANZE (dir.), dossier « Pierre Michon// : La Grande Beune, Trois auteurs //et// Abbés// », //Roman 20-50//, n° 48 (2009), p. 91-101. +++ Article de revue ADLER, Aurélie, « Le récit en archipel : //Abbés// », dans Laurent DEMANZE (dir.), dossier « Pierre Michon// : La Grande Beune, Trois auteurs //et// Abbés// », //Roman 20-50//, n° 48 (2009), p. 91-101. +++ Article de revue
  
 +
 +DEFRENET, Bernard, « Une lecture de //Abbés// de Pierre Michon. Du cochon à la tentation du sacré », //​Topique//,​ vol. 1, n° 118 (2012), p. 19-29. +++ Article de revue
 +
 +### **Résumé**\\
 +Les trois courts récits qui composent //Abbés// plongent le lecteur dans l’histoire et les légendes troubles d’un médiéval tout autant fondateur que violent. Hantés par l’idée de déchiffrer le monde et dans l’attente d’une approbation supérieure,​ des hommes vont tenter d’interpréter des signes. Avides de gloire et de chair, des abbés essayent de démêler, de cultiver, de bâtir, mais se confrontent à l’intrication de la gloire, du sexe, et des jalousies mortelles. Le sacré que Michon réintroduit dans le verbe appelle toujours en contre-point le profane, le roturier ; il se rit de lui-même. Le miracle n’est pas là-haut, mais dans le travail obstiné, qui contribue à une écriture dont la fulgurance parle le corps émotionnel et l’excès du langage sur le corps. Avec ses habits de bénédictins,​ la tentation du sacré qu’explore l’écriture foudroyante de Michon conjugue horreur et éblouissement,​ désir et mort, mode d’expression secondarisée de la pulsionnalité corporelle, du sexuel infantile.
 +
 +**Abstract**\\
 +//Reading Abbés by Pierre Michon. Prom Pig to the Temptation of the Sacred//\\
 +Pierre Michon’s //Abbés// comprises three short texts which take the reader back in time to the dark legends of the Medieval period, an age at once foundational and ruthlessly violent. Haunted by the idea of decoding the world around them and eagerly awaiting approbation from a superior force, the characters endeavour to interpret the signs around them. Hungry for glory and the pleasures of the flesh, the abbots endeavour to demystify their world, to cultivate and build, but are ultimately confronted with the entangled forces of glory, sex and moral jealousy. The sacred dimension constantly revived by Michon in the word simultaneously evokes the profane and the common. The author is in fact laughing at himself. The miracle does not descend from above but finds its expression in the obstinacy of hard work, producing writings which eloquently and insightfully evoke the affective body and the excess effect of language on the body. Clad in Benedictine guise, the temptation of the sacred explored in Michon’s staggering writings bring together horror and astonishment,​ desire and death, as a secondary mode of expression of bodily instincts and child sexuality.
 +
 +[[http://​www.cairn.info/​revue-topique-2012-1-page-19.htm|Defrenet,​ 2012, HTML]] ###
 +
 +HANHART-MARMOR,​ Yona, « L'​Abbé et le Crocodile. Autorité et auctorialité dans l'​oeuvre de Pierre Michon », //French Review//, vol. 91, n° 1 (octobre 2017). +++ Article de revue
 +
 +### Porte également sur //Corps du roi//. ###
  
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