| Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédenteProchaine révisionLes deux révisions suivantes |
| oeuvres:adieu_vive_clarte [2016/10/23 19:51] – Modified from the form at oeuvres:adieu_vive_clarte Audrey Thériault | oeuvres:adieu_vive_clarte [2016/10/24 18:29] – Audrey Thériault |
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| * [[http://etudesromanes.revues.org/3576|Mercadier, 1999, PDF]] ### | * [[http://etudesromanes.revues.org/3576|Mercadier, 1999, PDF]] ### |
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| LÉVI-VALENSI, Jacqueline, « La littérature et la vie. À propos de trois livres de Jorge Semprun : //L'Écriture ou la vie//, //Adieu vive clarté...//, //Le Mort qu'il faut// », //Travaux et Recherches de l'UMLV//, numéro spécial « Autour de Semprun », (mai 2003), p. 33-46. +++ Article de revue | LÉVI-VALENSI, Jacqueline, « La littérature et la vie. À propos de trois livres de Jorge Semprun : //L'Écriture ou la vie//, //Adieu vive clarté...//, //Le Mort qu'il faut// », dossier « Autour de Jorge Semprún : mémoire, engagement, écriture », sous la direction de Madeleine FONDO-VALETTE, //Travaux et Recherches de l'UMLV//, numéro spécial (mai 2003), p. 33-46. +++ Article de revue |
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| CAPO, Laeticia, « Maîtres et disciples dans //Le Premier Homme// d'Albert Camus, //Adieu, vive clarté…// et //L'Écriture ou la vie// de Jorge Semprun », dans Valérie DESHOULIÈRES et Muguras CONSTANTINESCU (dir.), //Les funambules de l'affection. Maîtres et disciples//, Clermont-Ferrand, Presses Universitaires Blaise Pascal (Littératures), 2009, p. 385-418. +++ Chapitre de collectif | CAPO, Laeticia, « Maîtres et disciples dans //Le Premier Homme// d'Albert Camus, //Adieu, vive clarté…// et //L'Écriture ou la vie// de Jorge Semprun », dans Valérie DESHOULIÈRES et Muguras CONSTANTINESCU (dir.), //Les funambules de l'affection. Maîtres et disciples//, Clermont-Ferrand, Presses Universitaires Blaise Pascal (Littératures), 2009, p. 385-418. +++ Chapitre de collectif |
| ### **Abstract** | ### **Abstract** |
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| Semprun recalled: "my only identity link was my own memory", link also nur- tured by his poetic memory, from which it drew the words that give life to his stories. There are also narrative processes that Jorge Semprun used in //Adieu, vive clarté...//, in order to witness the devastated landscape of his soul: his exile, deportation and life un- derground. Indeed, for Semprun to culti- vate the memory and the testimony is nec- essary to frame the moral of the resistance in the context of his experiences. In addi- tion, it is through writing that Semprun found freedom and the dignity of human beings. If this was expressed in French this linguistic choice relates to bilingual stateless status which characterizes the author. | Semprun recalled: "my only identity link was my own memory", link also nurtured by his poetic memory, from which it drew the words that give life to his stories. There are also narrative processes that Jorge Semprun used in //Adieu, vive clarté...//, in order to witness the devastated landscape of his soul : his exile, deportation and life underground. Indeed, for Semprun to cultivate the memory and the testimony is necessary to frame the moral of the resistance in the context of his experiences. In addition, it is through writing that Semprun found freedom and the dignity of human beings. If this was expressed in French this linguistic choice relates to bilingual stateless status which characterizes the author. |
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| [[http://cedille.webs.ull.es/index-M3.htm|Coca Méndez, 2013, PDF]] ### | * [[http://cedille.webs.ull.es/index-M3.htm|Coca Méndez, 2013, PDF]] ### |
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