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oeuvres:autobiografia_de_federico_sanchez_autobiographie_de_federico_sanchez [2016/10/23 19:11] – Modified from the form at oeuvres:autobiografia_de_federico_sanchez_autobiographie_de_federico_sanchez Audrey Thériaultoeuvres:autobiografia_de_federico_sanchez_autobiographie_de_federico_sanchez [2016/10/23 19:35] – Audrey Thériault
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 SILVESTRE GUIN, María, « Histoire d'une rupture : //Autobiografía de Federico Sánchez// de Jorge Semprún », //Hispanística XX//, no 20 (2003), p. 57-78. +++ Article de revue SILVESTRE GUIN, María, « Histoire d'une rupture : //Autobiografía de Federico Sánchez// de Jorge Semprún », //Hispanística XX//, no 20 (2003), p. 57-78. +++ Article de revue
  
 +OMLOR, Daniela, « Exile and Trauma in Jorge Semprún », //Journal of Iberian and Latin American Research//, vol. 17, no 1 (juillet 2011), p. 69-79. +++ Article de revue
  
 +### **Abstract**
 +
 +Jorge Semprun’s obsession with memory is fed by a triple experience of exile : emigration from Spain, imprisonment in Buchenwald and expulsion from the Communist Party. While the notion of exile can be found at the core of his writing, it constitutes a complex construction that changes over time. Through the examination of three very different texts this article traces the meanings that exile acquires in Semprun’s writing. Portrayed in partly negative terms in //Autobiografía de Federico Sánchez//, as the Spanish Communist Party leadership is ignorant of the true political situation within Spain due to its being outside, in //Adiós, luz de veranos…// it comes to figure as an internalized virtue enabling the writer to pursue his vocation. In //La escritura o la vida// the focus on the concentration camp underlines the traumatic qualities of exile and the difficulty of creating a listener who can relate to the experience of extreme alienation.
 +
 +  * [[http://dx.doi.org/10.1080/13260219.2011.579888|Omlor, 2011, PDF]] ###
  
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