Différences
Ci-dessous, les différences entre deux révisions de la page.
| Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédenteProchaine révisionLes deux révisions suivantes |
| oeuvres:chat_sauvage [2015/09/01 19:15] – Modified from the form at oeuvres:chat_sauvage Camille Arpin | oeuvres:chat_sauvage [2015/09/01 19:18] – [Documentation critique] Camille Arpin |
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| « This text attempts to shed some light on the modes of the American presence in the world of the Quebec novel with regards to the concepts of Américanisation and Americanness. After presenting the evolution of the hypothesis of Americanness in Quebec literature, we examine the concepts of Américanisation and Americanness, situating them in their ideological context and attempting to understand their heuristic value in the study of Quebec society and culture. Next is a sketch of the broad outlines of the nature of the literary relationship between Quebec and the United States since the middle of the nineteenth century, a relationship schematized in two novels published in 1978, //Les grandes marées// of Jacques Poulin and //Monsieur Melville// of Victor-Lévy Beaulieu. This sketch leads to a synthesis of the American presence in several novels of the 1980s and 90s, as well as an analysis of a novel regarded as representative of this period, Jacques Poulin's //Chat sauvage// (1998). » | « This text attempts to shed some light on the modes of the American presence in the world of the Quebec novel with regards to the concepts of Américanisation and Americanness. After presenting the evolution of the hypothesis of Americanness in Quebec literature, we examine the concepts of Américanisation and Americanness, situating them in their ideological context and attempting to understand their heuristic value in the study of Quebec society and culture. Next is a sketch of the broad outlines of the nature of the literary relationship between Quebec and the United States since the middle of the nineteenth century, a relationship schematized in two novels published in 1978, //Les grandes marées// of Jacques Poulin and //Monsieur Melville// of Victor-Lévy Beaulieu. This sketch leads to a synthesis of the American presence in several novels of the 1980s and 90s, as well as an analysis of a novel regarded as representative of this period, Jacques Poulin's //Chat sauvage// (1998). » |
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| http://id.erudit.org/iderudit/1000860ar MORENCY, 2004, PDF | [[http://id.erudit.org/iderudit/1000860ar|MORENCY, 2004, PDF]] |
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| | PICCIONE, Marie-Lyne, « Contournement et détournement de violence dans //Chat sauvage// de Jacques Poulin », dans Sandrine BAZILE, Gérard PEYLET (dir.), //Violence et écriture, violence de l’affect, voix de l’écriture//, Bordeaux (France), Presses Universitaires de Bordeaux (Eidôlon - n˚81¬), 2008, p.255-260. +++ Chapitre de collectif |
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