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oeuvres:christian_gailly_-_ensemble_de_l_oeuvre [2016/03/29 16:26]
Virginie Savard
oeuvres:christian_gailly_-_ensemble_de_l_oeuvre [2016/03/29 16:28]
Virginie Savard
Ligne 8: Ligne 8:
 KEMP, Melanie A., « Accessibility and the Unknown : The World of Christian Gailly », thèse de doctorat, Faculty of The Graduate College, University of Nebraska, 2004, 179 f. +++ Thèse de doctorat / mémoire de maîtrise KEMP, Melanie A., « Accessibility and the Unknown : The World of Christian Gailly », thèse de doctorat, Faculty of The Graduate College, University of Nebraska, 2004, 179 f. +++ Thèse de doctorat / mémoire de maîtrise
  
-###« Uncertainty and doubt are vital elements of the emotional response Christian Gailly elicits in his essentially realistic (but by no means realist) fiction. Gailly, one of the most intriguing new writers published by the Editions de Minuit--the home of the New Novel, of Beckett and Duras--relies on a narrative voice that treasures mockery above all: mockery of the reader'​s expectations,​ of the seriousness of the action he narrates, even of intelligibility itself. Such a narrator leaves the reader adrift in a world where only partial impressions are created, and empty spaces left unexplained. At one moment his narrative might be entirely objective; at another, it lapses into a subconscious inner dialogue which relentlessly subverts the reality of every outward utterance. Any attempt by the narrator to explain the emotions behind his characters'​ words inevitably leads to dubious afterthoughts,​ to a kind of laconic raillery that undermines the very motivations he is trying to express. More troubling for the reader, he does this in a style so abbreviated,​ so unnaturally terse, that the reader might well be forgiven for simply failing to understand what on earth is going on. His extremist version of minimalism is not to everyone'​s taste; even his publishers complain of the difficulty of following his stories, of his exaggerated refusal to provide detail, of his unfinished sentences, of his unresolved loose ends. Gailly greets such criticism with pointed +###**Abstract**\\  
-sarcasm. Notwithstanding,​ he admittedly strives to alleviate a certain potential readerly disaffection. His goal is not so much to estrange the reader as to involve the reader; he sees his eccentric style as an +Uncertainty and doubt are vital elements of the emotional response Christian Gailly elicits in his essentially realistic (but by no means realist) fiction. Gailly, one of the most intriguing new writers published by the Editions de Minuit--the home of the New Novel, of Beckett and Duras--relies on a narrative voice that treasures mockery above all: mockery of the reader'​s expectations,​ of the seriousness of the action he narrates, even of intelligibility itself. Such a narrator leaves the reader adrift in a world where only partial impressions are created, and empty spaces left unexplained. At one moment his narrative might be entirely objective; at another, it lapses into a subconscious inner dialogue which relentlessly subverts the reality of every outward utterance. Any attempt by the narrator to explain the emotions behind his characters'​ words inevitably leads to dubious afterthoughts,​ to a kind of laconic raillery that undermines the very motivations he is trying to express. More troubling for the reader, he does this in a style so abbreviated,​ so unnaturally terse, that the reader might well be forgiven for simply failing to understand what on earth is going on. His extremist version of minimalism is not to everyone'​s taste; even his publishers complain of the difficulty of following his stories, of his exaggerated refusal to provide detail, of his unfinished sentences, of his unresolved loose ends. Gailly greets such criticism with pointed sarcasm. Notwithstanding,​ he admittedly strives to alleviate a certain potential readerly disaffection. His goal is not so much to estrange the reader as to involve the reader; he sees his eccentric style as an invitation to curiosity rather than animosity. It is the reader'​s task to allow him- or herself to be drawn in by Gailly'​s unpredictable barrage of fleeting and uncertain impressions,​ and so to enter what Gailly, in a formula decidedly and touchingly at odds with the traditional language of the avant-garde,​ calls a triangle of beauty: poetry, painting, and music.
-invitation to curiosity rather than animosity. It is the reader'​s task to allow him- or herself to be drawn in by Gailly'​s unpredictable barrage of fleeting and uncertain impressions,​ and so to enter what Gailly, in a formula decidedly and touchingly at odds with the traditional language of the avant-garde,​ calls a triangle of beauty: poetry, painting, and music. ​» +
-(Abstract)+
  
- +//La version PDF de la thèse est disponible pour les membres de communautés universitaires qui ont un abonnement institutionnel auprès de [[http://​www.proquest.com/​|UMI - Proquest.]]//###
-La version PDF de la thèse est disponible pour les membres de communautés universitaires qui ont un +
-abonnement institutionnel auprès de [[http://​www.proquest.com/​|UMI - Proquest.]]###​+
  
 GERWERS, Monique, « Christian Gailly ou la lutte avec la Beauté », dans Michèle AMMOUCHE-KREMERS et Henk HILLENAAR (dir.), //Jeunes auteurs de Minuit//, Amsterdam, Rodopi (Cahiers de Recherches des Instituts néerlandais de Langue et de Littérature Françaises,​ n° 27), 1994, p. 117-125. +++ Chapitre de collectif GERWERS, Monique, « Christian Gailly ou la lutte avec la Beauté », dans Michèle AMMOUCHE-KREMERS et Henk HILLENAAR (dir.), //Jeunes auteurs de Minuit//, Amsterdam, Rodopi (Cahiers de Recherches des Instituts néerlandais de Langue et de Littérature Françaises,​ n° 27), 1994, p. 117-125. +++ Chapitre de collectif
Ligne 21: Ligne 17:
 ###Lecture thématique et narratologique du dilemme de la beauté inaccessible dans l'​oeuvre de Christian Gailly. ###Lecture thématique et narratologique du dilemme de la beauté inaccessible dans l'​oeuvre de Christian Gailly.
  
- +**Corpus retenu**\\ 
-**Corpus retenu ​:** +//Dit-il//, //K. 622//, //​L'​air// ​et //​Dring//###​
- +
-//Dit-il//, //K. 622//, //​L'​air//​//​Dring//###​+
  
 BRICCO, Elisa, et Christine Jerusalem (dir.), //Christian Gailly, « l'​écriture qui sauve »//,​ Saint-Étienne,​ Publications de l'​Université de Saint-Étienne (CIEREC, Travaux, 136 - « Lire au présent »), 2007, 184 p. +++ Collectif BRICCO, Elisa, et Christine Jerusalem (dir.), //Christian Gailly, « l'​écriture qui sauve »//,​ Saint-Étienne,​ Publications de l'​Université de Saint-Étienne (CIEREC, Travaux, 136 - « Lire au présent »), 2007, 184 p. +++ Collectif

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