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| oeuvres:emmanuel_carrere_-_ensemble_de_l_oeuvre [2015/02/20 13:16] – Audrey Thériault | oeuvres:emmanuel_carrere_-_ensemble_de_l_oeuvre [2015/02/20 13:18] – Audrey Thériault |
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| CONNON, Daisy, //Subjects Not-at-Home : Forms of the Uncanny in the Contemporary French Novel : Emmanuel Carrère, Marie NDiaye, Eugène Savitzkaya//, Amsterdam, Rodopi (Faux titre, 347), 2010, 295 p. +++ Monographie | CONNON, Daisy, //Subjects Not-at-Home : Forms of the Uncanny in the Contemporary French Novel : Emmanuel Carrère, Marie NDiaye, Eugène Savitzkaya//, Amsterdam, Rodopi (Faux titre, 347), 2010, 295 p. +++ Monographie |
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| ###« //Subjects Not-at-Home// is the first book-length study of the concept of the uncanny (//Das Unheimliche//) in the context of French literature. It explores the ways in which certain contemporary French novelists are exploiting the themes, imagery and dynamics of the uncanny to generate a repertoire of narrative tactics for the portrayal of the //chez soi//. Through an analysis of nine novels by Marie NDiaye, Eugène Savitzkaya and Emmanuel Carrère, the author reveals a developing tendency within current writing to re-appropriate figures of the strange – the double, intellectual uncertainty, the fragmented body, the spectral, the haunted house – in order to represent the ‘familiar' spaces of the home, the family, the self and the everyday. This problematic is situated with respect to tendencies in present-day French writing, with the uncanny being viewed as a particular approach to the contemporary novel's inclination to privilege the site of the //chez soi//. | ###« //Subjects Not-at-Home// is the first book-length study of the concept of the uncanny (//Das Unheimliche//) in the context of French literature. It explores the ways in which certain contemporary French novelists are exploiting the themes, imagery and dynamics of the uncanny to generate a repertoire of narrative tactics for the portrayal of the //chez soi//. Through an analysis of nine novels by Marie NDiaye, Eugène Savitzkaya and Emmanuel Carrère, the author reveals a developing tendency within current writing to re-appropriate figures of the strange – the double, intellectual uncertainty, the fragmented body, the spectral, the haunted house – in order to represent the ‘familiar' spaces of the home, the family, the self and the everyday. This problematic is situated with respect to tendencies in present-day French writing, with the uncanny being viewed as a particular approach to the contemporary novel's inclination to privilege the site of the //chez soi//. » |
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| (Il existe aussi un article qui reprend l'analyse faite par Daisy Connon : DELCOUR, Manon, « L’écriture du chez soi chez Emmanuel Carrère, Marie NDiaye & Eugène Savitzkaya », dans //Acta fabula//, vol. 12, n° 1 (janvier 2011). [en ligne]) | (Il existe aussi un article qui reprend l'analyse faite par Daisy Connon : DELCOUR, Manon, « L’écriture du chez soi chez Emmanuel Carrère, Marie NDiaye & Eugène Savitzkaya », dans //Acta fabula//, vol. 12, n° 1 (janvier 2011). [en ligne]) |