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| Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédenteProchaine révisionLes deux révisions suivantes |
| oeuvres:histoire_d_omaya [2016/05/17 13:28] – Virginie Savard | oeuvres:histoire_d_omaya [2016/05/17 15:17] – Modified from the form at oeuvres:histoire_d_omaya Virginie Savard |
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| ===== Documentation critique ===== | ===== Documentation critique ===== |
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| | ROBSON, Kathryn, « Speaking as a Hysteric: Rape in Nancy Huston's //Histoire d'Omaya// », //Modern Language Review//, vol. 106, n° 1 (janvier 2011), p. 99-114. +++ Article de revue |
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| | ### **Abstract**\\ |
| | This article explores how rape can be narrated in the first person through analysis of contemporary feminist theories of rape and Nancy Huston's //Histoire d'Omaya//, a fictional rape testimony. Drawing on psychoanalytic models of hysteria, I argue that recounting rape means speaking as a hysteric, that is, performing or miming rather than narrating as such. These strategies of imitation, mimicry, and ventriloquism as modes of performance that both emphasize and displace focus from the violated female body offer productive ways of approaching the question of how a story of rape might be told in the first person. |
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| | [[http://www.jstor.org/stable/10.5699/modelangrevi.106.1.0099|Robson, 2011, PDF]] ### |
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| | ROBSON, Kathryn, « From Beneath the Skin: Rape and Testimony in Nancy Huston's //Histoire d'Omaya// (1985) », dans Isabelle MCNEILL et Bradley STEPHENS (dir.), //Transmissions: Essays in French Literature, Thought and Cinema//, Berne, Peter Lang, 2007, p. 113-127. +++ Chapitre de collectif |
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