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oeuvres:la_pleurante_des_rues_de_prague [2016/07/13 15:16]
Virginie Savard
oeuvres:la_pleurante_des_rues_de_prague [2016/07/21 16:42] (Version actuelle)
Virginie Savard
Ligne 28: Ligne 28:
 **Abstract**\\ **Abstract**\\
 This article focuses on the city in biography in light of three biographical works dealing with writers. In the first example, an analysis of Christophe Fourvel’s Henri Calet, //​Montevideo et moi// (2006) considers the biographers pilgrimages to places frequented by the subject of his biography. The second example is Frédéric Pajak’s //​L’immense solitude// (1999), in which places are analyzed as stages upon which writers made to play a part, therefore overdetermining their existence. The final example, which comes the closest to being a biography of a city, is Sylvie Germain’s //La Pleurante des rues de Prague// (1992), where the inner city seems to exude a certain type of story, to emanate a certain memory that cannot, however, be reduced to it. This article focuses on the city in biography in light of three biographical works dealing with writers. In the first example, an analysis of Christophe Fourvel’s Henri Calet, //​Montevideo et moi// (2006) considers the biographers pilgrimages to places frequented by the subject of his biography. The second example is Frédéric Pajak’s //​L’immense solitude// (1999), in which places are analyzed as stages upon which writers made to play a part, therefore overdetermining their existence. The final example, which comes the closest to being a biography of a city, is Sylvie Germain’s //La Pleurante des rues de Prague// (1992), where the inner city seems to exude a certain type of story, to emanate a certain memory that cannot, however, be reduced to it.
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 [[http://​tempszero.contemporain.info/​document929|Dion,​ 2013, HTML]] ### [[http://​tempszero.contemporain.info/​document929|Dion,​ 2013, HTML]] ###
  

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