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oeuvres:la_terre_et_le_ciel_de_jacques_dorme [2016/04/26 11:57] – Modified from the form at oeuvres:la_terre_et_le_ciel_de_jacques_dorme Virginie Savardoeuvres:la_terre_et_le_ciel_de_jacques_dorme [2017/10/05 17:29] – Modified from the form at oeuvres:la_terre_et_le_ciel_de_jacques_dorme Virginie Savard
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 This article examines representations of war remembrance in the francophone Russian writer Andreï Makine’s novel //La terre et le ciel de Jacques Dorme// [//The Earth and Sky of Jacques Dorme//, 2003]. The novel portrays events and experiences of World War II from three temporal perspectives: that of the eponymous French pilot, who flies transports for the Soviets in the Alaska-Siberia air bridge during the war; that of the narrator as a child, who witnesses the construction of Stalingrad monuments and the emergence of the Soviet war cult in the mid-1960s; and that of the adult narrator, who searches for Dorme’s remains in post-Soviet Russia and seeks to commemorate the nowforgotten pilot by writing about his life. Makine portrays official monuments and commemoration of the Battle of Stalingrad as attempts on the part of the Soviet state to manipulate the collective memory. By contrast, he depicts individual remembrance as a more authentic alternative to collective commemorative practices. This article interprets Makine’s depiction of war remembrance against the background of the Soviet war cult, showing how the novel privileges individual over collective memory. It argues that Makine represents individual oral and written narratives in particular as an alternative to official histories and public commemoration. ### This article examines representations of war remembrance in the francophone Russian writer Andreï Makine’s novel //La terre et le ciel de Jacques Dorme// [//The Earth and Sky of Jacques Dorme//, 2003]. The novel portrays events and experiences of World War II from three temporal perspectives: that of the eponymous French pilot, who flies transports for the Soviets in the Alaska-Siberia air bridge during the war; that of the narrator as a child, who witnesses the construction of Stalingrad monuments and the emergence of the Soviet war cult in the mid-1960s; and that of the adult narrator, who searches for Dorme’s remains in post-Soviet Russia and seeks to commemorate the nowforgotten pilot by writing about his life. Makine portrays official monuments and commemoration of the Battle of Stalingrad as attempts on the part of the Soviet state to manipulate the collective memory. By contrast, he depicts individual remembrance as a more authentic alternative to collective commemorative practices. This article interprets Makine’s depiction of war remembrance against the background of the Soviet war cult, showing how the novel privileges individual over collective memory. It argues that Makine represents individual oral and written narratives in particular as an alternative to official histories and public commemoration. ###
  
-PERY-BORISSOV, « Dire la violence dans le roman et dans l'essai. Le cas d'Andrei Makine », //Questions de style//, dossier « Genres littéraires et pratiques énonciatives » (agrégation 2010), [en ligne]. +++ Article de revue+PERY-BORISSOV, Valéria, « Dire la violence dans le roman et dans l'essai. Le cas d'Andrei Makine », //Questions de style//, dossier « Genres littéraires et pratiques énonciatives » (agrégation 2010), [en ligne]. +++ Article de revue
  
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 [[http://www.unicaen.fr/services/puc/revues/thl/questionsdestyle/www.unicaen.fr/services/puc/revues/thl/questionsdestyle/print34f8.html?dossier=dossier7&file=01borissov.xml|Pery-Borissov, 2010, HTML]] ### [[http://www.unicaen.fr/services/puc/revues/thl/questionsdestyle/www.unicaen.fr/services/puc/revues/thl/questionsdestyle/print34f8.html?dossier=dossier7&file=01borissov.xml|Pery-Borissov, 2010, HTML]] ###
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 +DUFFY, Helena, « Une histoire vraie : //La Terre et le ciel de Jacques Dorme// d’Andreï Makine comme exemple de métafiction historiographique », //Romanica Wratislaviensia//, vol. 61 (2014), p. 121-138. +++ Article de revue
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