Différences
Ci-dessous, les différences entre deux révisions de la page.
| Les deux révisions précédentesRévision précédente | |
| oeuvres:le_charme_des_apres-midi_sans_fin [2015/09/24 09:35] – Virginie Savard | oeuvres:le_charme_des_apres-midi_sans_fin [2015/10/01 11:48] (Version actuelle) – Virginie Savard |
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| In //L’odeur du café// (//The Smell of Coffee//) and //Le charme des après-midi sans fin// (//The Charm of Endless Afternoons//), Dany Laferrière offers a fictionalized look at his past, his childhood and his origins, thereby giving readers the opportunity to understand his literary journey and, more broadly, the suffering inherent in exile. Now, the long fragmented narrative presented in these two novels can easily be associated with initiatory myths. The author’s originality lies in that he connects this journey not with a masculine and/or paternal model, as one might expect, but with the model of a woman, a grandmother, who thus conjures the image of the great goddesses of universal mythology.\\ | In //L’odeur du café// (//The Smell of Coffee//) and //Le charme des après-midi sans fin// (//The Charm of Endless Afternoons//), Dany Laferrière offers a fictionalized look at his past, his childhood and his origins, thereby giving readers the opportunity to understand his literary journey and, more broadly, the suffering inherent in exile. Now, the long fragmented narrative presented in these two novels can easily be associated with initiatory myths. The author’s originality lies in that he connects this journey not with a masculine and/or paternal model, as one might expect, but with the model of a woman, a grandmother, who thus conjures the image of the great goddesses of universal mythology.\\ |
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| [[http://id.erudit.org.acces.bibl.ulaval.ca/iderudit/1018874ar|Boucher, 2013, PDF]] ### | [[http://id.erudit.org/iderudit/1018874ar|Boucher, 2013, PDF]] ### |
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