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oeuvres:les_amoureux_de_l_hotel_de_ville [2016/07/12 19:47]
Virginie Savard
oeuvres:les_amoureux_de_l_hotel_de_ville [2016/08/03 15:58] (Version actuelle)
Virginie Savard
Ligne 18: Ligne 18:
  
 VESTBERG, Nina Lager, « Photography as Cultural Memory : Imag(in)ing France in the 1950s », //Journal of Romance Studies//, vol. 5, n° 2 (été 2005), p. 75-90. +++ Article de revue VESTBERG, Nina Lager, « Photography as Cultural Memory : Imag(in)ing France in the 1950s », //Journal of Romance Studies//, vol. 5, n° 2 (été 2005), p. 75-90. +++ Article de revue
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 +**Abstract**\\
 +This article explores how memory, whether construed as personal, collective or cultural, may be mobilized in and through mass-disseminated '​documentary'​ photography. Drawing on Halbwachs'​s models for the production of memory and informed by Georges Perec'​s concept of '​fictive memory',​ it argues that the work of so-called humanist photographers like Robert Doisneau and Willy Ronis can be said to have structured visual cultural memory in and of France in the postwar period. Philippe Delerm'​s novel //Les Amoureux de l'​Hôtel de Ville// (1993) is enlisted as a symptom of the extent to which an image like Doisneau'​s //Le Baiser de l'​Hôtel de Ville// has provided a public site of convergence for the personal memories of many, while the text written by Didier Daeninckx for Ronis'​s book //​Belleville-Ménilmontant//​ (1999), is brought to bear on the importance of revision, narrative and imagination in the construction of a photographic work of memory.
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