Discours critique sur les œuvres de littérature contemporaine
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oeuvres:patrick_chamoiseau_-_ensemble_de_l_oeuvre [2015/09/28 14:00] – Virginie Savard | oeuvres:patrick_chamoiseau_-_ensemble_de_l_oeuvre [2018/08/12 19:48] (Version actuelle) – [Documentation critique] Laurianne Thibeault | ||
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BURTON, Richard D., « //Debrouya Pa Peche//, or //Il y a Toujours Moyen de Moyenner// : Patterns of Opposition in the Fiction of Patrick Chamoiseau », //Callaloo, //vol. 16, n° 2 (printemps 1993), p. 466-481. +++ Article de revue | BURTON, Richard D., « //Debrouya Pa Peche//, or //Il y a Toujours Moyen de Moyenner// : Patterns of Opposition in the Fiction of Patrick Chamoiseau », //Callaloo, //vol. 16, n° 2 (printemps 1993), p. 466-481. +++ Article de revue | ||
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DONATELLA, Ruscito, « Tracée de la résistance et traversée de la parole dans le roman caribéen », thèse de doctorat, Department of French, University of Toronto, 1999, 315 f. +++ Thèse de doctorat / mémoire de maîtrise | DONATELLA, Ruscito, « Tracée de la résistance et traversée de la parole dans le roman caribéen », thèse de doctorat, Department of French, University of Toronto, 1999, 315 f. +++ Thèse de doctorat / mémoire de maîtrise | ||
- | PANAITE, Oana, « La littérature et ses ombres : invention esthétique et questionnement éthique dans la prose narrative contemporaine », thèse de doctorat, département de littérature et de civilisation française, Université Paris IV (Paris-Sorbonne), | + | PANAÏTE, Oana, « La littérature et ses ombres : invention esthétique et questionnement éthique dans la prose narrative contemporaine », thèse de doctorat, département de littérature et de civilisation française, Université Paris IV (Paris-Sorbonne), |
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SALGAS, Jean-Pierre, | SALGAS, Jean-Pierre, | ||
- | ###Vous pouvez consulter ce collectif [[http:// | + | ###**Corpus retenu**\\ |
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//Texaco// et //Biblique des derniers gestes//### | //Texaco// et //Biblique des derniers gestes//### | ||
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The book's central theme is clearly set out and presented with real authority and intellectual rigour ; the analysis of the primary texts is perceptive and original, often wittily expressed ; and the range of theorical material applied is both appropriate and impressive. | The book's central theme is clearly set out and presented with real authority and intellectual rigour ; the analysis of the primary texts is perceptive and original, often wittily expressed ; and the range of theorical material applied is both appropriate and impressive. | ||
- | **Abstract** ([[http:// | + | **Abstract** (The University of Chicago Press)\\ |
An important voice from the complex, polyglot society of Martinique, Patrick Chamoiseau is chiefly known for his boldly imaginative 1992 novel //Texaco//, which won the Prix Goncourt. In the first study of his work in English, Maeve McCusker skillfully examines Chamoiseau in light of his postcolonial background - Martinique, founded on slavery, is now officially a region of France - and focuses on his representation of memory. Her exploration of Chamoiseau' | An important voice from the complex, polyglot society of Martinique, Patrick Chamoiseau is chiefly known for his boldly imaginative 1992 novel //Texaco//, which won the Prix Goncourt. In the first study of his work in English, Maeve McCusker skillfully examines Chamoiseau in light of his postcolonial background - Martinique, founded on slavery, is now officially a region of France - and focuses on his representation of memory. Her exploration of Chamoiseau' | ||
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This article considers the paradisiacal image of the French Caribbean island of Martinique, focusing in particular on the writing of two contemporary authors, Patrick Chamoiseau and Edouard Glissant. Beginning with the obvious exotic associations of Martinique in metropolitan France, and the Western world at large, and drawing on anti-colonialist theory, I argue that increasing levels of tourism in a global world can in fact be read as a form of neo-colonisation. Within this context, the role of the French Caribbean writer is perceived by both Chamoiseau and Glissant to be crucial in resisting this dominating, globalising force. I will demonstrate how the authors turn to their native landscape in their writing — and to the liminal space of the beach in particular — to combat this form of neo-colonisation.\\ | This article considers the paradisiacal image of the French Caribbean island of Martinique, focusing in particular on the writing of two contemporary authors, Patrick Chamoiseau and Edouard Glissant. Beginning with the obvious exotic associations of Martinique in metropolitan France, and the Western world at large, and drawing on anti-colonialist theory, I argue that increasing levels of tourism in a global world can in fact be read as a form of neo-colonisation. Within this context, the role of the French Caribbean writer is perceived by both Chamoiseau and Glissant to be crucial in resisting this dominating, globalising force. I will demonstrate how the authors turn to their native landscape in their writing — and to the liminal space of the beach in particular — to combat this form of neo-colonisation.\\ | ||
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(Porte sur //Écrire en pays dominé//, //Lettres creoles//, //Éloge de la créolité// | (Porte sur //Écrire en pays dominé//, //Lettres creoles//, //Éloge de la créolité// | ||
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