| Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédente |
| oeuvres:l_ecriture_ou_la_vie [2016/10/25 15:18] – Audrey Thériault | oeuvres:l_ecriture_ou_la_vie [2016/10/25 15:50] (Version actuelle) – Audrey Thériault |
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| ====== L'écriture ou la vie ====== | ====== L'Écriture ou la vie ====== |
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| [[auteurs:Jorge Semprún]] - Paris, Gallimard (Coll. Blanche), 1994, 319 p. | [[auteurs:Jorge Semprún]] - Paris, Gallimard (Coll. Blanche), 1994, 319 p. |
| ### **Abstract** | ### **Abstract** |
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| This essay addresses the instable meaning of the term catastrophe over the course of history. The first part takes leave of the “the tiny fissures” in the continuous catastrophe noted by Walter Benjamin to develop a philology of the cata/strophe. This philology does not only register a given meaning (for instance, of the catastrophe), but intervenes actively as disruption. It insists on the strophe in the catastrophe, transforming catastrophe into cata/strophe that, in fatal situations, permits the poetic potential to become a dynamic force that can, at least on the linguistic level, open toward other dimensions without denying the catastrophe itself. The second part is dedicated to a reading of Jorge Semprún’s autobiographical novel L’écriture ou la vie from the perspective of this philological concept. It seeks to show how Semprún’s citing and reciting of Baudelaire’s strophes in the putrid atmosphere of the Buchenwald concentration camp literally produce, on the level of the signifiers, fresh air to breathe. | This essay addresses the instable meaning of the term catastrophe over the course of history. The first part takes leave of the “the tiny fissures” in the continuous catastrophe noted by Walter Benjamin to develop a philology of the cata/strophe. This philology does not only register a given meaning (for instance, of the catastrophe), but intervenes actively as disruption. It insists on the strophe in the catastrophe, transforming catastrophe into cata/strophe that, in fatal situations, permits the poetic potential to become a dynamic force that can, at least on the linguistic level, open toward other dimensions without denying the catastrophe itself. The second part is dedicated to a reading of Jorge Semprún’s autobiographical novel //L’écriture ou la vie// from the perspective of this philological concept. It seeks to show how Semprún’s citing and reciting of Baudelaire’s strophes in the putrid atmosphere of the Buchenwald concentration camp literally produce, on the level of the signifiers, fresh air to breathe. |
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| * [[http://dx.doi.org/10.14746/pspsl.2015.25.13|Kasper, 2015, PDF]]### | * [[http://dx.doi.org/10.14746/pspsl.2015.25.13|Kasper, 2015, PDF]]### |
| ### **Abstract** | ### **Abstract** |
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| Is Semprún’s //L’Écriture ou la vie// his first purely autobiographical work? Or does the artifice that the first-person narrator repeatedly claims is necessary to relate his experience of a Nazi concentration camp signal that he has altered not only the form of the narrative but also the content? This article examines closely two episodes in which the narrator uses a well-known narrative technique in an original way that allows the narrator to convey the full density of the experiences, with all their uncertainty and oscillations. The striking “artifice” of these episodes is potentially in tension with the numerous textual signs pointing clearly to the work’s status as autobiography. | Is Semprún’s //L’Écriture ou la vie// his first purely autobiographical work? Or does the artifice that the first-person narrator repeatedly claims is necessary to relate his experience of a Nazi concentration camp signal that he has altered not only the form of the narrative but also the content? This article examines closely two episodes in which the narrator uses a well-known narrative technique in an original way that allows the narrator to convey the full density of the experiences, with all their uncertainty and oscillations. The striking “artifice” of these episodes is potentially in tension with the numerous textual signs pointing clearly to the work’s status as autobiography. ### |
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| * [[http://link.springer.com/article/10.10072Fs11061-005-4231-4|Anderson, 2006, PDF]] ### | |
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| PUPPO, María Lucía, « Lecturas y experiencias en //La escritura o la vida// (1995) de Jorge Semprún », //Letras : revista de la Facultad de Filosofía y Letras de la Pontificia Universidad Católica Argentina Santa María de los Buenos Aires//, no 54 (juillet-décembre 2006), p. 127-134. +++ Article de revue | PUPPO, María Lucía, « Lecturas y experiencias en //La escritura o la vida// (1995) de Jorge Semprún », //Letras : revista de la Facultad de Filosofía y Letras de la Pontificia Universidad Católica Argentina Santa María de los Buenos Aires//, no 54 (juillet-décembre 2006), p. 127-134. +++ Article de revue |
| MELIĆ, Katarina, « Comment (s’) écrire après Auschwitz ? Histoire, fiction et autofiction dans //L’écriture ou la vie// de Jorge Semprún », dans Adrijana MARČETIĆ, Isabelle GRELL et Dunja DUŠANIĆ (dir.), //Penser l’autofiction : perspectives comparatistes preispitivanja : autofikcija u fokusu komparatistike//, Belgrade, Faculté de Philologie de l’Université de Belgrade / Agence universitaire de la francophonie, 2014, p. 55-68. +++ Chapitre de collectif | MELIĆ, Katarina, « Comment (s’) écrire après Auschwitz ? Histoire, fiction et autofiction dans //L’écriture ou la vie// de Jorge Semprún », dans Adrijana MARČETIĆ, Isabelle GRELL et Dunja DUŠANIĆ (dir.), //Penser l’autofiction : perspectives comparatistes preispitivanja : autofikcija u fokusu komparatistike//, Belgrade, Faculté de Philologie de l’Université de Belgrade / Agence universitaire de la francophonie, 2014, p. 55-68. +++ Chapitre de collectif |
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| PEDROL-AGUILÀ, Marina, « Présence nécessaire de l’art dans //L’écriture ou la vie// de Jorge Semprún », dans //Çédille : Revista de estudios franceses//, no 12 (avril 2016), p. 348-367. +++ Article de revue | PEDROL-AGUILÀ, Marina, « Présence nécessaire de l’art dans //L’écriture ou la vie// de Jorge Semprún », //Çédille : Revista de estudios franceses//, no 12 (avril 2016), p. 348-367. +++ Article de revue |
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| <data oeuvre> | <data oeuvre> |
| Titre: L'écriture ou la vie | Titre: L'Écriture ou la vie |
| Auteur [ref]: auteurs:Jorge Semprún | Auteur [ref]: auteurs:Jorge Semprún |
| Parution [date::Y]: 1994 | Parution [date::Y]: 1994 |