Discours critique sur les œuvres de littérature contemporaine
Ci-dessous, les différences entre deux révisions de la page.
Les deux révisions précédentesRévision précédenteProchaine révision | Révision précédente | ||
oeuvres:l_occupation_des_sols [2015/09/30 16:28] – Virginie Savard | oeuvres:l_occupation_des_sols [2016/08/12 11:16] (Version actuelle) – Virginie Savard | ||
---|---|---|---|
Ligne 9: | Ligne 9: | ||
===== Documentation critique ===== | ===== Documentation critique ===== | ||
+ | |||
+ | BERNARD-RABADI, | ||
+ | |||
+ | ### **Résumé**\\ | ||
+ | L’interrogation ancestrale sur la spatio-temporalité littéraire se place aujourd’hui à la lisière de réflexions anthropologiques ; c’est ce que montrera notre approche des liens et des lieux dans deux œuvres contemporaines : un court récit d’Echenoz, | ||
+ | |||
+ | [[http:// | ||
MOTTE, Warren, « Jean Echenoz' | MOTTE, Warren, « Jean Echenoz' | ||
- | ### | + | ### |
« //Small Worlds// examines the minimalist trend in French writing, from the early 1980s to the present. Warren Motte first considers the practice of minimalism in other media, such as the plastic arts and music, and then proposes a theoretical model of minimalist literature. Subsequent chapters are devoted to the work of a variety of contemporary French writers and a diversity of literary genres. | « //Small Worlds// examines the minimalist trend in French writing, from the early 1980s to the present. Warren Motte first considers the practice of minimalism in other media, such as the plastic arts and music, and then proposes a theoretical model of minimalist literature. Subsequent chapters are devoted to the work of a variety of contemporary French writers and a diversity of literary genres. | ||
In his discussion of minimalism, Motte considers smallness and simplicity, a reduction of means (and the resulting amplification of effect), immediacy, directness, clarity, repetition, symmetry, and playfulness. He argues that economy of expression offers writers a way of renovating traditional literary forms and allows them to represent human experience more directly.\\ | In his discussion of minimalism, Motte considers smallness and simplicity, a reduction of means (and the resulting amplification of effect), immediacy, directness, clarity, repetition, symmetry, and playfulness. He argues that economy of expression offers writers a way of renovating traditional literary forms and allows them to represent human experience more directly.\\ |