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LDAP user to find: virginie [auth.php:186]
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LDAP user to find: virginie [auth.php:186]
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LDAP search returned non-array result: 1 [auth.php:211]
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LDAP Server: ldap.ulaval.ca [auth.php:189]
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LDAP search returned non-array result: 1 [auth.php:211]

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oeuvres:la_fille_d_un_heros_de_l_union_sovietique [2016/04/19 15:56]
Virginie Savard
oeuvres:la_fille_d_un_heros_de_l_union_sovietique [2016/04/26 15:18]
Virginie Savard Modified from the form at oeuvres:la_fille_d_un_heros_de_l_union_sovietique
Ligne 17: Ligne 17:
  
  
 +
 +LIEVOIS, Katrien, « Pseudo-traduction et image d’auteur: le cas Andreï Makine », //Les Lettres romanes//, vol. 67, n° 3-4 (2013). ​
 + +++ Article de revue
 +
 +### **Résumé**\\
 +Si les pseudo-traductions ne sont pas de véritables traductions,​ elles doivent cependant en reproduire toutes les caractéristiques et dévoilent donc un grand nombre d’idées (préconçues) sur la traduction en raison de la tromperie même sur laquelle elles se basent. Dans cette contribution,​ il s’agira de recontextualiser un cas concret pour en étudier les caractéristiques,​ les raisons et les effets : les deux premiers romans d’Andreï Makine, //La Fille d’un héros de l’Union soviétique//​ et //​Confession d’un porte-drapeau déchu// (1992). L’on constate combien cette pratique participe d’un fonctionnement littéraire s’intégrant dans un ensemble de thématiques et de stratégies - comme la pseudo-traduction fictionnalisée et une intertextualité trompeuse - qui jettent toute la suspicion sur l’image de l’auteur et celle de l’instance auctoriale.
 +
 +**Abstract**\\
 +Pseudotranslations may not really be translations in the strict sense of the word. They must, however, reproduce all the characteristics of a translation,​ and the deception on which they are based causes them to reveal many of the (preconceived) ideas on translation of a given time. This contribution will recontextualise two specific cases of pseudotranslation,​ Andrei Makine’s first two novels, //La Fille d’un héros de l’Union soviétique//​ et //​Confession d’un portedrapeau déchu// (1992), with a view to studying the reasons for their production, characteristics and effects. In the case of Makine, pseudotranslations are actually a central literary trope. He uses them, just like he uses other themes and strategies such as fictionalized pseudotranslations and deceptive intertextuality,​ as he plays with the image, the figure and the reliability of the author.
 +
 +[[http://​dx.doi.org/​10.1484/​J.LLR.1.103542|Lievois,​ 2013, PDF]] ###
  
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